MAESTRO ALEXANDER ZATSEPIN
Is it possible to imagine the 20th century without the songs of the great Alexander Zatsepin. Favorite millions of hits and songs from the comedies of Leonid Gaidai made his…

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We listen and understand the symphony
What is the difference between classical, academic, symphonic and philharmonic music? Can a string quartet be considered an orchestra, and can such a “orchestra” then be called a violin? Answers…

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MAESTRO ALEXANDER ZATSEPIN
Is it possible to imagine the 20th century without the songs of the great Alexander Zatsepin. Favorite millions of hits and songs from the comedies of Leonid Gaidai made his…

Continue reading →

IRINA DUBTSOVA - IRON LADY OF THE VARIETY
Brave, bright and decisive - this is Irina Dubtsova, whose songs are taken for the soul and made to experience genuine emotions. She is called the “iron lady” of modern…

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Alfred Schnittke

The stars of our age: women musicians

Veronika Dudarova, Sofia Gubaidulina, Elena Obraztsova – names known not only in Russia, but also abroad. We remember the great women musicians of the twentieth century.

Veronika Dudarova was born in Baku in 1916. In 1938 she graduated from the piano department of the music school at the Leningrad Conservatory and made an unusual decision for that time – to become a conductor. In the USSR, then there were still no women who decided to go to the symphony orchestra. Veronika Dudarova became a student of two masters – Leo Ginzburg and Nikolai Anosov. Continue reading

We listen and understand the symphony
What is the difference between classical, academic, symphonic and philharmonic music? Can a string quartet be considered an orchestra, and can such a “orchestra” then be called a violin? Answers…

...

“RHAPSODY IN BLUE TONES” by GEORGE GERSHWIN
“Lady Jazz, adorned with intriguing rhythms, was walking dancing across the whole world. But nowhere did she meet a knight who would introduce her as a respected guest to the…

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