ANTONIO VIVALDI - ITALIAN BAH
It took almost two centuries for humanity to learn, understand and appreciate the music of the great Antonio Vivaldi again, because soon after his death he was unfairly forgotten. In…

Continue reading →

Yuri Rozum: “Performing is always a dialogue between a musician and a hall”
Pianist, People's Artist of Russia, Professor and Teacher of the Gnessins Russian Academy of Music and the A.G. Schnittke told Kultura.RF portal that it’s a “dog business” in music, why…

...

Vladimir Spivakov: "In music there is everything that is in space"
The chief conductor and artistic director of the State Chamber Orchestra "Moscow Virtuosos", the National Philharmonic Orchestra of Russia Vladimir Spivakov told Kultura.RF portal about how to succeed the beginner…

Continue reading →

The most famous Russian operas abroad
Rare theater today does without the Russian repertoire: classical operas by Pyotr Tchaikovsky and Nikolai Rimsky-Korsakov, Modest Mussorgsky and Igor Stravinsky, Sergei Prokofiev and Dmitry Shostakovich are staged. Portal "Kultura.RF"…

Continue reading →

but also underground art

LOVE IN JAZZ YURI SAULSKY

Yuri Saulsky’s unique composer style is recognizable from the first chords, and his songs helped to light more than one pop star of the Soviet period. The special path of the composer-songwriter is the orchestral pop-jazz music. This style tandem turned out to be a real discovery by Saulsky. Films, ballets, musicals, performances and many other areas were under the force of his musical talent. Continue reading

“RHAPSODY IN BLUE TONES” by GEORGE GERSHWIN
“Lady Jazz, adorned with intriguing rhythms, was walking dancing across the whole world. But nowhere did she meet a knight who would introduce her as a respected guest to the…

...

Yuri Rozum: “Performing is always a dialogue between a musician and a hall”
Pianist, People's Artist of Russia, Professor and Teacher of the Gnessins Russian Academy of Music and the A.G. Schnittke told Kultura.RF portal that it’s a “dog business” in music, why…

...