The Unsurpassed King of Waltz Johann Straus
Dance melodies, which were called foot music, were condescending in any era. Operas, oratorios and symphonies were always considered noble genres, while all kinds of quadrille, waltzes and polkas were…

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We listen and understand the symphony
What is the difference between classical, academic, symphonic and philharmonic music? Can a string quartet be considered an orchestra, and can such a “orchestra” then be called a violin? Answers…

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Great symphonies of Russian composers
In the world of music, there are one-of-a-kind, landmark works, the sounds of which spell the chronicle of musical life. Some of these compositions represent a revolutionary breakthrough in art,…

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Yuri Rozum: “Performing is always a dialogue between a musician and a hall”
Pianist, People's Artist of Russia, Professor and Teacher of the Gnessins Russian Academy of Music and the A.G. Schnittke told Kultura.RF portal that it’s a “dog business” in music, why…

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KNIGHT OF OPERETTA FLORIMON HERVE

This composer composed various spiritual works, but did not admit to anyone that he dreamed of an operetta. Then he nevertheless created 80 operettas, although he had already dreamed of completing the symphony-oratorio. Over time, Florimon Herve was recognized as the father of the operetta, but the predilections of the eccentric creator always split, as, indeed, his whole life. An overly gifted singer, composer, actor and playwright was eccentric and unpredictable. Continue reading

OUTSTANDING SIXTEEN EVGENY EVTUSHENKO
Yevgeny Yevtushenko - a poet with a capital letter, and even much more than a Russian poet. This single word has absorbed all the facets of his work - from…

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Vladimir Yurovsky: “Actual music is the one that is written today”
Especially for Kultura.RF, the initiator of the festival, artistic director of the Svetlanov State Academic Symphony Orchestra of Russia Vladimir Yurovsky told Viktoria Ivanova about the differences between current and…

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